WHAT TO VISIT IN ROME

Francesca
Francesca
WHAT TO VISIT IN ROME

Visite turistiche

Here is the Tempio Maggiore, the main synagogue of Rome, built between 1901 and 1904 on one of the four plots of land obtained by demolishing the most dilapidated areas of the Ghetto. This imposing building that exchanges stories with the nearby Tiber is dominated by a pavilion dome with a square base. His style is intended to be a reference to that of ancient Palestine, with its fusion of Assyrian, Egyptian and especially Greek elements adapted to the architectural context of Rome.
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Rooman suurin temppeli
Lungotevere de' Cenci
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Here is the Tempio Maggiore, the main synagogue of Rome, built between 1901 and 1904 on one of the four plots of land obtained by demolishing the most dilapidated areas of the Ghetto. This imposing building that exchanges stories with the nearby Tiber is dominated by a pavilion dome with a square base. His style is intended to be a reference to that of ancient Palestine, with its fusion of Assyrian, Egyptian and especially Greek elements adapted to the architectural context of Rome.
The Teatro Marcello is an ancient Roman open-air theatre dating back to 17 BC, once home to splendid performances of music and theater. The theatre, still partially preserved, resembles a mini Colosseum in an area dotted with ruins and ancient columns. Private apartments have been built on top of the theater and in the summer months here still hold magnificent music concerts.
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Marcellon teatteri
Via del Teatro di Marcello
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The Teatro Marcello is an ancient Roman open-air theatre dating back to 17 BC, once home to splendid performances of music and theater. The theatre, still partially preserved, resembles a mini Colosseum in an area dotted with ruins and ancient columns. Private apartments have been built on top of the theater and in the summer months here still hold magnificent music concerts.
Piazza Navona is a public open space in Rome, Italy. It is built on the site of the Stadium of Domitian, built in the 1st century AD, and follows the form of the open space of the stadium. The ancient Romans went there to watch the agones ("games"), and hence it was known as "Circus Agonalis" ("competition arena"). It is believed that over time the name changed to in avone to navone and eventually to navona.
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Piazza Navona
Piazza Navona
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Piazza Navona is a public open space in Rome, Italy. It is built on the site of the Stadium of Domitian, built in the 1st century AD, and follows the form of the open space of the stadium. The ancient Romans went there to watch the agones ("games"), and hence it was known as "Circus Agonalis" ("competition arena"). It is believed that over time the name changed to in avone to navone and eventually to navona.
The Colosseum is an oval amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world today, despite its age. Construction began under the emperor Vespasian (r. 69–79 AD) in 72 and was completed in 80 AD under his successor and heir, Titus (r. 79–81). Further modifications were made during the reign of Domitian (r. 81–96). The three emperors that were patrons of the work are known as the Flavian dynasty, and the amphitheatre was named the Flavian Amphitheatre. The Colosseum could hold an estimated 50,000 to 80,000 spectators at various points in its history having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles including animal hunts, executions, reenactments of famous battles, and dramas based on Roman mythology, and briefly mock sea battles.
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Colosseum
1 Piazza del Colosseo
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The Colosseum is an oval amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world today, despite its age. Construction began under the emperor Vespasian (r. 69–79 AD) in 72 and was completed in 80 AD under his successor and heir, Titus (r. 79–81). Further modifications were made during the reign of Domitian (r. 81–96). The three emperors that were patrons of the work are known as the Flavian dynasty, and the amphitheatre was named the Flavian Amphitheatre. The Colosseum could hold an estimated 50,000 to 80,000 spectators at various points in its history having an average audience of some 65,000; it was used for gladiatorial contests and public spectacles including animal hunts, executions, reenactments of famous battles, and dramas based on Roman mythology, and briefly mock sea battles.
The Vatican Museums are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth among the most-visited art museums in the world. There are 24 galleries, or sale, in total, with the Sistine Chapel, notably, being the last sala within the Museum.
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Vatikaanin museot
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The Vatican Museums are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments. Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums. In 2020, due to the COVID-19 pandemic, the Vatican Museums were visited by only 1,300,000 persons, a drop of 81 percent from the number of visitors in 2019, but still enough to rank the museums fourth among the most-visited art museums in the world. There are 24 galleries, or sale, in total, with the Sistine Chapel, notably, being the last sala within the Museum.
The Mausoleum of Hadrian, usually known as Castel Sant'Angelo, is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum. The structure was once the tallest building in Rome.
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Castel Sant'Angelo
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The Mausoleum of Hadrian, usually known as Castel Sant'Angelo, is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum. The structure was once the tallest building in Rome.
The Victor Emmanuel II National Monument, also known as the Mole del Vittoriano or simply Vittoriano, is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. It is currently managed by the Polo Museale del Lazio and is owned by the Ministry of Cultural Heritage and Activities. From an architectural perspective, it was conceived as a modern forum, an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the Italian unification—for this reason the Vittoriano is considered one of the national symbols of Italy. It also preserves the Altar of the Fatherland, first an altar of the goddess Rome, then also a shrine of the Italian Unknown Soldier, thus adopting the function of a lay temple consecrated to Italy. Because of its great representative value, the entire Vittoriano is often called the Altare della Patria, although the latter constitutes only a part of the monument. Standing in the centre of ancient Rome, and connected to the modern one by the streets that radiate from Piazza Venezia, it has been consecrated to a wide symbolic value representing a lay temple metaphorically dedicated to a free and united Italy—celebrating by virtue the burial of the Unknown Soldier (the sacrifice for the homeland and for the connected ideals).
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Isänmaan alttari
Piazza Venezia
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The Victor Emmanuel II National Monument, also known as the Mole del Vittoriano or simply Vittoriano, is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. It is currently managed by the Polo Museale del Lazio and is owned by the Ministry of Cultural Heritage and Activities. From an architectural perspective, it was conceived as a modern forum, an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the Italian unification—for this reason the Vittoriano is considered one of the national symbols of Italy. It also preserves the Altar of the Fatherland, first an altar of the goddess Rome, then also a shrine of the Italian Unknown Soldier, thus adopting the function of a lay temple consecrated to Italy. Because of its great representative value, the entire Vittoriano is often called the Altare della Patria, although the latter constitutes only a part of the monument. Standing in the centre of ancient Rome, and connected to the modern one by the streets that radiate from Piazza Venezia, it has been consecrated to a wide symbolic value representing a lay temple metaphorically dedicated to a free and united Italy—celebrating by virtue the burial of the Unknown Soldier (the sacrifice for the homeland and for the connected ideals).
The Pantheon is a former Roman temple and since the year 609 a Catholic church (Basilica di Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs), in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated c. 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down. The building is cylindrical with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43 metres (142 ft). It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history and, since the 7th century, the Pantheon has been in use as a church dedicated to "St. Mary and the Martyrs" (Latin: Sancta Maria ad Martyres) but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio. In 2013, it was visited by over 6 million people. The Pantheon's large circular domed cella, with a conventional temple portico front, was unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, and has been copied many times by later architects.
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Pantheon
Piazza della Rotonda
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The Pantheon is a former Roman temple and since the year 609 a Catholic church (Basilica di Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs), in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was rebuilt by the emperor Hadrian and probably dedicated c. 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down. The building is cylindrical with a portico of large granite Corinthian columns (eight in the first rank and two groups of four behind) under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening (oculus) to the sky. Almost two thousand years after it was built, the Pantheon's dome is still the world's largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43 metres (142 ft). It is one of the best-preserved of all Ancient Roman buildings, in large part because it has been in continuous use throughout its history and, since the 7th century, the Pantheon has been in use as a church dedicated to "St. Mary and the Martyrs" (Latin: Sancta Maria ad Martyres) but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda. The Pantheon is a state property, managed by Italy's Ministry of Cultural Heritage and Activities and Tourism through the Polo Museale del Lazio. In 2013, it was visited by over 6 million people. The Pantheon's large circular domed cella, with a conventional temple portico front, was unique in Roman architecture. Nevertheless, it became a standard exemplar when classical styles were revived, and has been copied many times by later architects.
The Trevi Fountain (Italian: Fontana di Trevi) is a fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several films, including Roman Holiday (1953), the eponymous Three Coins in the Fountain (1954), Federico Fellini's classic La Dolce Vita (1960),Sabrina Goes to Rome (1998) and The Lizzie McGuire Movie (2003).
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Trevin suihkulähde
Piazza di Trevi
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The Trevi Fountain (Italian: Fontana di Trevi) is a fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several films, including Roman Holiday (1953), the eponymous Three Coins in the Fountain (1954), Federico Fellini's classic La Dolce Vita (1960),Sabrina Goes to Rome (1998) and The Lizzie McGuire Movie (2003).
Piazza di Spagna ("Square of Spain"), at the bottom of the Spanish Steps, is one of the most famous squares in Rome, Italy. It owes its name to the Palazzo di Spagna, the seat of the Embassy of Spain to the Holy See. There is also the famed Column of the Immaculate Conception of the Blessed Virgin Mary. In the middle of the square is the famous Fontana della Barcaccia, dating to the beginning of the baroque period, sculpted by Pietro Bernini and his son, the more famous Gian Lorenzo Bernini. At the right corner of the Spanish Steps rises the house of the English poet John Keats, who lived there until his death in 1821: nowadays it has been changed into a museum dedicated to him and his friend Percy Bysshe Shelley, displaying books and memorabilia of English romanticism. At the left corner, there is the Babington's tea room, founded in 1893. The side near Via Frattina is overlooked by the two façades (the main one, designed by Gian Lorenzo Bernini, and the side one created by Francesco Borromini) of the Palazzo di Propaganda Fide, a property of the Holy See. In front of it, actually in a part of Piazza di Spagna named Piazza Mignanelli, rises the Column of the Immaculate Conception, erected in 1856, two years after the proclamation of the dogma.
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Piazza di Spagna
Piazza di Spagna
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Piazza di Spagna ("Square of Spain"), at the bottom of the Spanish Steps, is one of the most famous squares in Rome, Italy. It owes its name to the Palazzo di Spagna, the seat of the Embassy of Spain to the Holy See. There is also the famed Column of the Immaculate Conception of the Blessed Virgin Mary. In the middle of the square is the famous Fontana della Barcaccia, dating to the beginning of the baroque period, sculpted by Pietro Bernini and his son, the more famous Gian Lorenzo Bernini. At the right corner of the Spanish Steps rises the house of the English poet John Keats, who lived there until his death in 1821: nowadays it has been changed into a museum dedicated to him and his friend Percy Bysshe Shelley, displaying books and memorabilia of English romanticism. At the left corner, there is the Babington's tea room, founded in 1893. The side near Via Frattina is overlooked by the two façades (the main one, designed by Gian Lorenzo Bernini, and the side one created by Francesco Borromini) of the Palazzo di Propaganda Fide, a property of the Holy See. In front of it, actually in a part of Piazza di Spagna named Piazza Mignanelli, rises the Column of the Immaculate Conception, erected in 1856, two years after the proclamation of the dogma.
Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars (populus in Latin, pioppo in Italian) after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name. The piazza lies inside the northern gate in the Aurelian Walls, once the Porta Flaminia of ancient Rome, and now called the Porta del Popolo. This was the starting point of the Via Flaminia, the road to Ariminum (modern-day Rimini) and the most important route to the north. At the same time, before the age of railroads, it was the traveller's first view of Rome upon arrival. For centuries, the Piazza del Popolo was a place for public executions, the last of which took place in 1826.
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Piazza del Popolo
Piazza del Popolo
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Piazza del Popolo is a large urban square in Rome. The name in modern Italian literally means "People's Square", but historically it derives from the poplars (populus in Latin, pioppo in Italian) after which the church of Santa Maria del Popolo, in the northeast corner of the piazza, takes its name. The piazza lies inside the northern gate in the Aurelian Walls, once the Porta Flaminia of ancient Rome, and now called the Porta del Popolo. This was the starting point of the Via Flaminia, the road to Ariminum (modern-day Rimini) and the most important route to the north. At the same time, before the age of railroads, it was the traveller's first view of Rome upon arrival. For centuries, the Piazza del Popolo was a place for public executions, the last of which took place in 1826.
Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third largest public park in Rome (80 hectares or 197.7 acres) after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana ("Borghese villa on the Pincian Hill"), built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 18th century.
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Villa Borghese
Piazzale Napoleone I
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Villa Borghese is a landscape garden in Rome, containing a number of buildings, museums (see Galleria Borghese) and attractions. It is the third largest public park in Rome (80 hectares or 197.7 acres) after the ones of the Villa Doria Pamphili and Villa Ada. The gardens were developed for the Villa Borghese Pinciana ("Borghese villa on the Pincian Hill"), built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, who used it as a villa suburbana, or party villa, at the edge of Rome, and to house his art collection. The gardens as they are now were remade in the late 18th century.